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This will remove all of the color from the new image so that we can focus on getting the texture extracted. Then, with the new image selected, go to Image, Adjustments, and then select Desaturate. This will allow us to dial-in the settings we need without damaging the original image. First, right-click on the new image and convert it to a Smart Object.

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We only want the skin texture from the second image, so any color or features that donвЂ™t match our original subject need to go. Once itвЂ™s aligned, itвЂ™s time to extract the texture. Again, people will have unique features and it wonвЂ™t be a perfect match. Once youвЂ™ve got a second image that works, bring it into your Photoshop project and try to align it as closely as possible over the original subjectвЂ™s face.

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If you need to find reference images, we recommend free resources like Pexels or Unsplash. Using a second image, with skin texture from a similar part of the body, is the best way to go. So skin texture on your forehead will not look the same as skin texture on your cheeks and chin. Skin texture changes depending on where it is on the body. You could just sample skin texture from other areas of the subjectвЂ™s face to fill in the areas of missing texture, but that normally doesnвЂ™t result in a natural-looking image. This means that we can find another image with a subject with similar skin and features, and then add the skin texture from that image over the area we just painted. While everyone certainly has their own unique features, skin texture will be relatively similar from person to person.

You could call this step recreating skin texture, or you could call it borrowing skin texture. So how do we fix it? LetвЂ™s find out! Recreating Skin Texture We started off by saying that preserving skin texture is the make-or-break things to look out for during tasks like this. We took our time to make sure the skin tones and lighting were a close a match to the original as possible, but the subjectвЂ™s skin texture is completely gone. Once youвЂ™re done, youвЂ™ll notice that the hair is gone, but the image doesnвЂ™t look anywhere close to natural. This can help you make sure the skin tones, highlights, and shadows match as closely as possible. It might also help to have a copy of the original area youвЂ™re painting over off to the side to use as a reference as you cover up the hair. With this in mind, the process should feel more like this: sample, paint, sample, paint, sample, paint, and so on. Keep in mind that skin is going to have a wide range of tones, even within a similar area. YouвЂ™ll need to constantly sample new areas of skin, paying close attention to areas of highlight and shadow. If you stick with just a single color of skin tone, the subjectвЂ™s face will end up looking flat and unrealistic. More concisely: use the Brush Tool to sample colors from the subjectвЂ™s skin, and then paint over the facial hair.

Select the Brush Tool, set it to a low Flow (around 20% if youвЂ™re using a pressure-sensitive tablet, 2-5% if youвЂ™re using a mouse), hold ALT to sample an area of the subjectвЂ™s skin near the facial hair, and then begin to carefully paint over the hair near that area. Create a new, blank Layer above the image of the subject.

Sample & PaintДЄs we said, this is an advanced technique, but the steps involved are actually very simple. Once you master the Brush Tool for this application, it can save you a ton of time while helping you solve a wide variety of problems that might pop up during future edits. Take your time and give yourself some space to get comfortable with the process.

Using the Brush Tool to remove facial hair is an advanced technique that will require a little extra time and care, especially the first few times you try it.

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The Brush Tool is equal parts powerful and versatile and, if you havenвЂ™t had the chance to take a deep-dive into what it can do, we recommend checking out our PRO course The Amazing Power of the Brush Tool in Photoshop. Notice how the Spot Healing Brush creates blotchiness and discoloration? This is where the Brush Tool comes in. But since weвЂ™re working with skin, we need a tool that will give us more control and the ability to replicate the natural highlights and shadows that fall on our subjectвЂ™s face. We just mentioned the Spot Healing Brush, which is a great automated tool for removing objects and distractions from surfaces without much detail. The problem with removing facial hair isnвЂ™t getting the hair out of the way, itвЂ™s making sure we donвЂ™t damage or remove the skin texture from the subjectвЂ™s face. Tools like the Spot Healing Brush make short work of it in most cases. Working with Facial Hair & Skin in PhotoshopДЇacial hair is tricky to remove, but the reason why might not be obvious.

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